I bought “Gremlins Inc.” in early access and only barely noticed its official launch. Even if I hadn’t noticed it, though, the amount of search hits for “Gremlins Inc. review” would have likely tipped me off. :p I did write a “first impressions” piece and for several days, this blog post was getting quite a lot more hits than usual.
But even if you don’t like this game (digital board games aren’t for everyone), if you’re interested in getting a glimpse behind the scenes of indie game development, this company’s posts are quite interesting! So Gremlins Inc. is made by Charlie Oscar, an indie developer located in Vilnius, Lithuania. What has impressed me a lot so far, other than the game itself (or I wouldn’t have bothered linking to it, obviously :p), is the amount of “behind the scenes” information they have given us.
For one, I thought it was cute – and understandable, but mostly cute – how they celebrated every milestone in copies sold. In fact, I had seen one of those posts right when I was wondering whether to get the game or not. It made the company look honest and sincere with their customers. It is also refreshing to see that they celebrated those “tiny” milestones when other big companies boast about their “1 million copies sold”. Yes, of course, I would wish for them to sell a lot of copies! Still, there are small companies out there and they are happy about every single sale they make.
A few days ago, I saw them tweet about their game’s localization efforts and found this a very interesting read! Not only for me as their customer, but maybe also for others who are interested in making games and for whom such insights are valuable pieces of information. It wasn’t very surprising to see them come to the conclusion that German and French localizations are a must have, basically. I am German, I know how bad the English of lots of other Germans is. :p But the sheer amount of languages they offer their game in is astonishing and their thoughts and the impact those localizations had is fascinating. They also describe the process of how they worked with translators in different regions.
Today, they added another post about sales and early access. I am not a game designer, but I still found it interesting to get a glimpse into that part of gaming. In short, they come to the conclusion – which fits to what others have already said apparently – that Steam’s Early Access does not fund a game, but it at least gives them some additional money they wouldn’t have otherwise and it lets them create a community already. From my point of view, I would agree. A lot of people are careful about Early Access games – or Kickstarter and the like – because you just don’t have a guarantee that the game will be finished any time soon or ever. I have bought several games in early access now, but I always asked myself first: “Will I have fun playing the game in its current state?” – Only if the answer is “yes”, I buy the game. And I know lots of other people just don’t enjoy a game that still changes or that comes with lots of bugs etc. So those very likely won’t buy such a game.
But back to this post: They also share some insight into costs related to the manpower, rent for the office etc. and that somebody needs to actually run the business or hire and work with lawyers on top of everybody trying to make the game.
So far, they have not turned a profit on the game, but it only released one month ago (on March 11, so yes, exactly one month ago) and I hope they will make quite a few more sales. I know I will buy the original soundtrack when it comes out, because I just love game soundtracks. Not sure about DLCs, though. I am much more picky when it comes to DLCs and their “worth” (thinking of the Tropico ones mostly here). But we’ll see… maybe, if they’re good.